29 September 2011
28 September 2011
OriginPro 8.5.1
Software publishers vary in their approach to version numbering and frequency of issue. Some only issue major, full digit upgrades, and then at longish intervals. Others go for small but frequent issues. With some products, a third digit increment (as here between OriginPro 8.5 and 8.5.1) would signal a minor maintenance issue of interest to particular users; with OriginLab it indicates a useful general development, which will reward the effort of updating. So what has changed since release 8.5?
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27 September 2011
I'm just a molecule in a fullerene cage...
Call me a sad git, but I find myself entranced by this: that Kurotobi and Murata (at Kyoto University) report successfully opening large job lots of buckyballs, stuffing a single molecule of water into each, then clicking the traps shut again.
“Water normally exists in hydrogen-bonded environments, but a single molecule of H2O without any hydrogen bonds can be completely isolated within the confined subnano space inside fullerene C60. We isolated bulk quantities of such a molecule by first synthesizing an open-cage C60 derivative whose opening can be enlarged in situ at 120°C that quantitatively encapsulated one water molecule under the high-pressure conditions. The relatively simple method was developed to close the cage and encapsulate water.”
My associated mental image is of an manically overpopulated PacMan screen...
- Kei Kurotobi & Yasujiro Murata, "A Single Molecule of Water Encapsulated in Fullerene C60", Science 29 July 2011: Vol. 333 no. 6042 pp. 613-616DOI: 10.1126/science.1206376
24 September 2011
Superglued
I am standing in a shop, looking for superglue, when the ever present background music resolves itself into a song which I knew well when I was sixteen. As it happens, I recently saw the title in an internet jukebox listing sent to me by a friend, a couple of weeks ago; before that, I'd not thought of it for most of the 40 years since my teens ended.
I shall write more later, when I've time and space to think; for now, I'll just record the moment and then go back to finding that superglue.
[...time passes...]
And here we are again. It is later.
The song was by a group called Union Gap (which I always assumed, for no obvious reason that I can now justify, to be named after the place in Washington state, roughly equidistant from Seattle and Portland). Googling both song and group, now, I discover that memory is at fault: it was "The Union Gap, featuring Gary Puckett" (and, shortly after this one song which I remember, changed to "Gary Puckett and the Union Gap"). I have no memory whatsoever of Gary Puckett ... but then, I have rarely been good at knowing the names of individual members within a band.
Anyway ... to return to the subject ... the song itself was Young girl. In it, the first person voice is (to quote Wikipedia's delicately neutral wording) "a man distressed to find out his lover is under an acceptable age".
Perceptions change with time, age and experience. The reason I find it worthwhile to stop and think about this now is that, within the first few bars, I became aware of a sharp discontinuity in my own perceptions of this song between "then" and "now". What mix of time, age and experience, I am curious to know, accounts for that? What does it say about me, about the world, about the times?
When I was sixteen, we listened to Young girl often. In the youth club, on café jukeboxes, on the radio, on Dansette record players at home in our rooms... it wasn't in my usual line of musical preference (I was a folk rock sort of youngster) but it had a good, compelling tune and rhythm which got into my bloodstream and drove me along just as much as anyone else. The first two words, belted out loud but slow, guaranteed my attention ... and the next five, rattled off fast, held it:
YOUNG ... girl ... GetOutOfMyMind!
We (the teenagers around my age at the time ... or, more accurately, the teenaged boys around my age at the time), muttered to one another that the song was about Lindsey Cook*, a bubbly, vivacious and dramatically well developed fifteen year old in the class below me who spent all her free time with young soldiers (probably only a couple of years older than me) from the nearby military base. Looking back, I realise that this had less to do with moral judgment than with selfish envy: Lindsey, we felt, if truth be told, should be bestowing her attentions on us instead.
Now, four decades on, I find the song ... I can't think of a better word ... creepy.
Why is that?
Is it the result of working some of my time with vulnerable young people? Am I hearing echoes of two cases in which I saw young girls damaged by inappropriate relationships with older authority figures? Have I succumbed to that pernicious "bogeyman du jour", an obsession with fear of the pædophile behind every tree? Or have I just changed with the passing of time, become a boring old fart who has lost touch with his younger self?
Or all of the above, perhaps.
Whatever it is, I now feel my skin crawl when I hear the song (especially since discovering that Gary Puckett is still performing it today) – even as I find it impossible to eradicate the tune which, having been reheard, is now superglued into my neural pathways and won't ... “get out of my mind”.
* Not, I should mention, her real name.
Hand ’is heye full hof harrer
Ray Girvan has just put up a JSBlog post entitled ’Arry and ’Arriet. It is, as always, fascinating (to me, anyway, since my interests and curiosities often run closely parallel to Ray's) ... but this post of mine has only the most tenuous connection with its substance. Instead, I found myself flicked back to childhood by the title itself.
My maternal grandfather played endless word games with me1 and would often coach me through tongue twisters. One of my favourites, which he attributed to his friends ’Arry and ’Arriet (there you are – a connection at last!), was this evocation of an iconic moment from English mythology:
’Arold of Hengland
Sat hon ’is ’orse
With ’is ’awk hin ’is ’and
Hand ’is heye full hof harrer.
The specific memory which first slid into my mind when I read Ray's title was of walking along the lines of pea plants in my grandparents' huge garden2, with my grandfather, when I was about four years old, trying to recite the whole thing with every deliberate error in place, whilst simultaneously scrumping peas straight from their pods...
- And probably, in doing so, played a very large part in making me the person I am. He teased me unmercifully (but always affectionately; I loved it and him) with things I couldn't understand. One strand was recounting to me conversations with, and the doings of, his friends ’Arry and ’Arriet. They always sounded wonderful people, who lived wonderful and joyous lives, and I wished that I could meet them ... I realise, now, of course, that they were imaginary ... and that they represented his own childhood, before a fluke of history and war shunted him into the military officer class where he adopted protective colouration with which he was never really comfortable.
- The same garden which, on another occasion, saw me burying chocolate buttons under its boundary hedge...
16 September 2011
Dear Diary...
The UK's BBC Radio 4 is currently airing a series in which various celebrities read from, and discuss, their teenage diaries. It's an amusing and sometimes insightful listen ... though my principal feeling is of astonishment at the fact of such teenaged journal keeping diligence.
I had a diary every year from as far back as I can remember, and was always very interested in the information which they contained, but contributed little to them of my own. None from my own teens survive, so far as I know, but if they did they would make for thin and unimpressive reading.
One diary, from a little earlier than my teens, did surface recently ... and illustrates the point. There are only four entries, all of them in the first two pages. Here is what one ten year old thought worth recording of his life, in early 1963, in the Pictorial Young Australian Chamber of Commerce Diary:
1st January : Stayed up to see new year in
2nd January : Overslept
6th January : Bad rash
8th January : Didn't feel well at first but OK now.
I don't, somehow, expect the BBC to call me any time soon...
14 September 2011
A line back to my enemy
Chance connections...
Just over a year ago, I enthused over N D Wilson's fantasy novel 100 Cupboards. I then read the sequel, Dandelion fire, and was disappointed; it was well told, but somehow more ordinary than the first novel. Why do fantasy novels so often default to epic battles? I left it until now to read the third and final book, The chestnut king – which was better, though still less than the first. But, to get back to point: in this novel, a frequent image was the child protagonist following a grey fibre (invisible to others) which connected a wound in his cheek to the villainous witch who had caused it.
Now (this minute) I listen to Jesca Hoop (thank you, David) singing Enemy:
Beautiful
alone with my enemy
and share a bitter cup
of poisoning
my countenance
to see his face in mine
and follow every line
back to my enemy
The tenth anniversary of 9/11, as Jim Putnam posted on the day, has just passed. Seven years ago, in the aftermath of Abu Ghraib, I received an email from an Arab friend (which Jim, always perceptive and thoughtful, disseminated) reminding me that 9/11 itself was part of a violent cycle of tit for tat ... that there is always a “line back to my enemy”.
A shame that while we keep lines of that kind always alive (the child hero of The chestnut king, by the way, used his grey sickness line back to his enemy first to spy upon her and then to kill her ... she used hers in much the same way), we put much less time and effort into establishing lines of communication back to the same enemies.
- N D Wilson,
- 100 cupboards. 2007, New York: Random House. 9780375838828 (pbk.).
- Dandelion fire. 2009, New York: Random House. 9780375838842.(pbk)
- The Chestnut King. 2010, New York: Random House. 9780375838866 (pbk)
- Jesca Hoop, Kismet, "Enemy". 2007, New York: Red Int/Red Ink.
11 September 2011
9/11 Thoughts
06 September 2011
Unscrambler X
Since Unscrambler last passed this way, then in version 9, its Norwegian publisher Camo Software has launched a 'new generation' image. At its heart is Unscrambler X (currently 10.1, the third sub-version in numerical release terms; some limitations in the original 10.0.0 have been resolved at this point), with additional products to extend its reach and power in particular directions. My review is based a month’s use of the 64-bit option, although a quick run through on a one gigabyte Windows XP system showed the 32-bit alternative to be completely happy there. I’ll combine a quick overview, for those who’ve not encountered Unscrambler in its previous incarnations, with a skim of what’s new. [more...]

